Antiquira is committed to offering fine art of the highest caliber and we seek paintings and sculpture by historically renowned artists, often with impressive provenance. The large majority of our works of art come from private. . .
Buy with Confidence
At Antiquira, we are committed to building a long-term, rewarding relationship with each and every client. That’s why your purchase is backed by our 125% guarantee.
Learn MoreThe Potter by Léon Olivié-Bon
- This masterwork by Léon Olivié-Bon elevates a craftsman to heroic status
- Its impressive scale, revolutionary subject and theatrical illumination make it exceptional
- It was displayed at the 1888 Paris Salon, the highest honor of a 19th-century artist's career
- Get complete item description here
$124,500
Item No.
32-0523
To speak to one of our experts, call 1-786-446-9672
Description
Léon Olivié-Bon
1863-1901 | French
The Potter
Oil on canvas
Signed and dated "Olivie-Bon 1888" (lower right)
This monumental masterpiece by French artist Léon Olivié-Bon is one of the finest by the celebrated artist. Its impressive scale and revolutionary subject matter would have commanded attention at the prestigious Paris Salon, where it was showcased in 1888. At over four feet high, The Potter beautifully elevates a humble craftsman to heroic status.
. . .
1863-1901 | French
The Potter
Oil on canvas
Signed and dated "Olivie-Bon 1888" (lower right)
This monumental masterpiece by French artist Léon Olivié-Bon is one of the finest by the celebrated artist. Its impressive scale and revolutionary subject matter would have commanded attention at the prestigious Paris Salon, where it was showcased in 1888. At over four feet high, The Potter beautifully elevates a humble craftsman to heroic status.
. . .
Read More
Léon Olivié-Bon
1863-1901 | French
The Potter
Oil on canvas
Signed and dated "Olivie-Bon 1888" (lower right)
This monumental masterpiece by French artist Léon Olivié-Bon is one of the finest by the celebrated artist. Its impressive scale and revolutionary subject matter would have commanded attention at the prestigious Paris Salon, where it was showcased in 1888. At over four feet high, The Potter beautifully elevates a humble craftsman to heroic status.
To be invited to showcase a painting in the Salon was often the high point of an artist’s career. Artists reserved their finest works for this prestigious venue, and Olivié-Bon followed suit with The Potter. His rendering of the ceramicist at work captivates through both technical brilliance and emotional resonance, with a strategic beam of sunlight creating a theatrical illumination within the bustling studio.
The depiction of laborers in fine art underwent a profound transformation throughout the 19th century. Before mid-century, academic tradition dictated that significant paintings should portray classical, mythological, religious or aristocratic subjects. Working-class figures appeared primarily as peripheral elements or in genre scenes of rustic charm, rarely as worthy central subjects for serious artistic consideration.
Jean-François Millet's revolutionary Gleaners (1857) marked a decisive turning point, despite huge criticism from the artistic establishment. These groundbreaking works elevated peasant labor to a level of dignity previously reserved for classical heroes. The Potter exemplifies this pivotal shift in artistic consciousness. Rather than romanticizing or sentimentalizing manual labor, Olivié-Bon presents his subject with stoic dignity, capturing both the physical prowess and intellectual concentration of the craftsman. The work stands as a visual manifesto for the elevation of craft to art.
Olivié-Bon's career, though brilliant, was tragically short (1863-1901), resulting in a very limited body of work. After the success of The Potter at the 1888 Salon, he continued exhibiting, securing a medal at the 1892 Salon. By his untimely death at just 38 years old, he had firmly established himself among the significant talents of his generation.
Painted 1888
Canvas: 52 7/8" high x 42 1/2" wide (134.30 x 107.95 cm)
Frame: 60 1/4" high x 50 1/4" wide x 3" deep (153.04 x 127.64 x 7.62 cm)
Exhibited:
Paris, Salon des Artistes Français, 1888, no. 1936
1863-1901 | French
The Potter
Oil on canvas
Signed and dated "Olivie-Bon 1888" (lower right)
This monumental masterpiece by French artist Léon Olivié-Bon is one of the finest by the celebrated artist. Its impressive scale and revolutionary subject matter would have commanded attention at the prestigious Paris Salon, where it was showcased in 1888. At over four feet high, The Potter beautifully elevates a humble craftsman to heroic status.
To be invited to showcase a painting in the Salon was often the high point of an artist’s career. Artists reserved their finest works for this prestigious venue, and Olivié-Bon followed suit with The Potter. His rendering of the ceramicist at work captivates through both technical brilliance and emotional resonance, with a strategic beam of sunlight creating a theatrical illumination within the bustling studio.
The depiction of laborers in fine art underwent a profound transformation throughout the 19th century. Before mid-century, academic tradition dictated that significant paintings should portray classical, mythological, religious or aristocratic subjects. Working-class figures appeared primarily as peripheral elements or in genre scenes of rustic charm, rarely as worthy central subjects for serious artistic consideration.
Jean-François Millet's revolutionary Gleaners (1857) marked a decisive turning point, despite huge criticism from the artistic establishment. These groundbreaking works elevated peasant labor to a level of dignity previously reserved for classical heroes. The Potter exemplifies this pivotal shift in artistic consciousness. Rather than romanticizing or sentimentalizing manual labor, Olivié-Bon presents his subject with stoic dignity, capturing both the physical prowess and intellectual concentration of the craftsman. The work stands as a visual manifesto for the elevation of craft to art.
Olivié-Bon's career, though brilliant, was tragically short (1863-1901), resulting in a very limited body of work. After the success of The Potter at the 1888 Salon, he continued exhibiting, securing a medal at the 1892 Salon. By his untimely death at just 38 years old, he had firmly established himself among the significant talents of his generation.
Painted 1888
Canvas: 52 7/8" high x 42 1/2" wide (134.30 x 107.95 cm)
Frame: 60 1/4" high x 50 1/4" wide x 3" deep (153.04 x 127.64 x 7.62 cm)
Exhibited:
Paris, Salon des Artistes Français, 1888, no. 1936
Read Less
Specifications
| Period: | 1816-1918 |
| Origin: | France |
| Type: | Paintings |
| Style: | Academic |
| Depth: | 3.0 in. (7.62 cm) |
| Width: | 50.25 in. (127.64 cm) |
| Height: | 60.25 in. (153.04 cm) |
| Canvas Width: | 42.500 in. (107.95 cm) |
| Canvas Height: | 52.875 in. (134.3 cm) |
Discover More
Investigating French Realism
Largely considered the first modern movement in art history, 19th-century French Realism reflects the revolutionary attitudes of its age. Based on a doctrine of french painting subjects as they genuinely lived, the Realists captured...
Read More
The Paris Salon: How It Shaped the Art World— and Your Gallery Wall
In interior design, one method of wall decoration has entranced designers and homeowners for centuries: the gallery wall. With a dense gathering of pictures, paintings and antiques, the gallery wall method is so...
Read More
Buy with Confidence
At Antiquira, we are committed to building a long-term, rewarding relationship with each and every client. That’s why your purchase is backed by our 125% guarantee.
Learn More
